Therapy? @ Manchester Academy 2 – 18th April 2015

Therapy? @ Manchester Academy

Therapy? – Hopefully going nowhere.

To get it out of the way up front, Therapy? are my favourite band. I’ve been listening to them on record and bouncing around to them in various states of inebriation live for over 20 years now, whether at Donington, at home in Bristol, at Uni in Sheffield or most recently in Manchester, but as with any band or review, I’ll always call a spade a spade and be brutally honest about any live performance or record.

Many bands that have been around as long as Therapy? will have a hardcore of fans who blindly go along with all that it is put before them but with this particular bunch you’re always challenged. After being at the forefront of the mid-90s rock resurgence, the band made albums that were raw, catchy, bleak and drug-addled with one simple consistency; fight. Therapy? wouldn’t lie down. They wouldn’t compromise. And they’ve certainly never been in the business of bowing to commercial pressures.

So here we are in 2015. Therapy? have recently released album number 12, Disquiet and they’re all set to lay waste to Manchester’s Academy 2 on a sunny Spring evening. Before tonight’s gig, I’m asked in the pub who I’m off to see and my reply is met with the usual “Christ, are they still going?” The answer to that is a resounding ‘yes’ and by not realising that, you’ve been missing out on some of the most brilliant music and consistently enjoyable live shows in modern rock.

The venue isn’t sold out tonight as it was for last year’s 20th anniversary Troublegum show, but the crowd is healthy and ready for the first live outing of tracks from T?‘s latest opus. Meeting that need with a snarling ‘Still Hurts’, Therapy? hit the ground running; frontman Andy Cairns is as wide-eyed and psychotically brilliant as ever whilst Michael McKeegan pogoes around, showing no less enthusiasm than the very first time he set foot on stage. The Manc-pleasing ‘Isolation’ is up next followed by Troublegum partner in crime ‘Die Laughing’ and despite many in attendance having heard these songs countless times, every word is still belted back joyously at a grinning Cairns. Even tracks like ‘Vulgar Display Of Powder’ and ‘Idiot Cousin’ are surprisingly well-known despite only being a month or so old, proving that T? can still drive a hook into your long-term memory after only a couple of listens.

With so many tracks to choose between from their long career, there were always going to be some major omissions (namely everything from 1998 to 2012), but Therapy? can’t get away with ignoring their classics and they simply have too many of them these days. ‘A Moment Of Clarity’ gets more harrowingly beautiful with every listen, raising goosebumps throughout a captivating six minutes, whilst ‘Turn’, ‘Stories’ and ‘Nausea’ are anthemic to the ears of the adoring pit.

Therapy? @ Manchester Academy

Andy Cairns – Evil Elvis on top.

If Therapy? were to have a theme tune it’d be a toss-up between ‘Screamager’ and ‘Teethgrinder’ as both songs encapsulate what the band have always stood for; the former being the catchiest thing since a particularly hook-loving sea bass whilst the latter will forever stand as a proclamation of the dawning of a new era of heavy music, both danceable yet angular and twisted. So by pairing the two together in the live setting, Therapy? nail a euphoric high you’d struggle to get from sticking a skag jabber directly into your eyeball.

After such a crescendo you’d be disappointed to see on paper the set closing with ‘Deathstimate’ and ‘Diane’ but this comedown simply doesn’t materialise. ‘Deathstimate’ is monolithic in riff whilst allowing a chance for us to cool down and ‘Diane’ is given such a powerfully upbeat reworking compared to the version on Infernal Love that you’d almost be forgiven for glossing over the subject matter.

It only takes a short break for T? to re-emerge and hammer into a violent ‘Knives’, a rare outing for ‘Skinning Pit’ and the familiar ‘Potato Junkie’ and ‘Nowhere’. All four sound as fresh as they did two decades earlier and screaming about Irish novelists having carnal relations with your siblings has never been more fun.

What we’ve had tonight are 22 songs of brilliance, variety, passion and integrity. I’ve yet to find a band who can equal such consistency and I challenge you to find a show packed with more quality than tonight. Quite simply, Therapy? ooze excellence and long may it continue.

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Alice In Chains + Ghost + Walking Papers @ Manchester Academy – 11th November 2013

Alice In Chains @ Manchester Academy

The devil put brontosaurus-sized riffs here.

It’s Academy WeatherTM in Manchester tonight, with the long walk down Oxford Road punctuated by the usual splashes right up the trouser from the odd loose paving stone. Despite the increasingly wet nether regions, however, the prospect of yet another killer live bill is preventing spirits from being dampened as we head towards a night with Alice In Chains, Ghost and Walking Papers.

The Academy is moderately busy as roadies ready the stage for Walking Papers, the latest band featuring former Guns N’ Roses four-stringer Duff McKagan. Purveyors of a decent brand of blues-tinged rock and roll, the group are obviously experienced and talented and get some heads nodding, but singer Jeff Angell appears disappointed with both the turnout and the reaction. In reality, he should be grateful, and let’s be honest here, that so many have rocked up at 7pm on a cold Monday evening solely to see what Duff McKagan’s been up to lately.

It’s a shame that Angell is initially a touch downbeat, since Walking Papers play some great stuff, with McKagan himself in outstanding form. Former Screaming Trees drummer Barrett Martin is full of stick-twirling showmanship and Benjamin Anderson bangs the holy hell out of his keyboard to raucous effect and eventually Angell joins in by hopping into the crowd to give high fives, his charm offensive receiving some worthy adulation. Overall, Walking Papers’ set is full of hip swaying goodness that will hopefully see some Euro festival slots next year.

Ghost @ Manchester Academy

Preaching to the unconverted.

And so to Ghost. This is the venue I first experienced them in a couple of years previously and since then they’ve released an album of the year candidate, but the band are still greeted with more static than a TV aerial pointing directly into a hippo’s undercarriage. I really don’t know what it is about the Swedish ghouls, whether people are just in awe of the spectacle, if a support slot with Alice In Chains is misjudged or if the typically reserved British public simply don’t know what to do with themselves, but if a pounding ‘Per Aspera ad Inferi’ and a groove-riddled ‘Stand By Him’ don’t get feet jiggling I don’t know what will.

I just pray to Lucifer that Papa and the gang finally tour these shores on their own headline outing so the brethren can get well and truly involved. Tonight, it’s only after a spine-tingling ‘Year Zero’ that the audience really acknowledges the grandeur of their music and despite a clap-a-long ‘Ritual’ and faux-encore ‘Monstrance Clock’, Ghost remain on the very cusp of awkward UK audience acceptance.

If there is an unsold ticket for tonight then you’re going to struggle to find it as people almost stack on top of each other to witness the return of Alice In Chains. Latest release The Devil Put Dinosaurs Here is arguably a career best album from the grunge godfathers and after two records with vocalist William DuVall, the band are playing with an intensity and drive that belies the fact they’re in their 27th year.

Opening up with ‘Again’, the crowd are instantly in awe and as ‘Check My Brain’ and a euphoric ‘Them Bones’ are banged out, the love in the room is almost tangible. ‘Hollow’ and ‘Voices’ from the band’s latest opus are heavier live than on record and the groovy sludge is powerfully accompanied by DuVall and Jerry Cantrell’s amazing harmonies. ‘Man In The Box’ will be the standard bearer for many AIC fans and tonight it feels as fresh as it did when doing the rounds on MTV in its heyday, whilst ‘We Die Young’, ‘Grind’ and ‘Got Me Wrong’ are all greeted like the bride at a wedding, with doe-eyed fans worshipping at the feet of such classic songs.

Closing the main set with the grace and elegance of ‘Nutshell’ and a balls-out ‘Would?’, no-one in attendance wants this night to ever end. Returning to the stage for an encore of ‘Down In A Hole’, ‘It Ain’t Like That’ and of course ‘Rooster’, Alice In Chains not only sound good tonight, they look amazing, happy and proud to be playing to such adoration, which includes numerous ‘Jerry, Jerry’ chants throughout the night.

It’s almost as if the ghost of Layne Staley is watching over the band, content that not only does DuVall more than do justice to early AIC classics, but he’s also helped the band carry on to even bigger and better things. Sean Kinney’s drum kit may bear the initials ‘LSMS’ in memory of Staley and former bassist Mike Starr but this is no memorial to the once-great, this is a celebration of what came before just as much as it is the here and now.

A superb bill, an emotional night and a set rammed so full of classics you’re going to struggle to listen to any other band’s records for the rest of the year. Simply stunning stuff.