A few weeks back I’d never heard Death From Above 1979. Great name for a band as it was, I’d missed their first foray into this world a decade ago and I admit their second record last year had also passed me by.
But of course you’ll all know how much I love Turbowolf. Shining, eccentric lights in a sea of mediocrity, the Wolf consistently bang out un-categorisable tunes so effortlessly it makes Jeff Lynne look like a struggling amateur.
So when the two bands joined forces for a UK tour I saw it as a great opportunity; support one of my favourite modern bands at the same time as seeing something new. I’m not sure I quite expected what followed.
Turbowolf tonight are of course as imperious as ever. Mixing a smattering of new material such as the radio-bothering ‘Rabbit’s Foot’ with a greatest hits tour-de-force, they’re always going to struggle to do any wrong, and a makeshift pit for the closing ‘Let’s Die’ proves how effortlessly likeable they are. When that second album hits, things are going stratospheric.
The main event though are such a sonically similar but strangely different beast. The two-piece set up is almost de rigueur these days thanks to Royal Blood’s success, but Death From Above 1979 were there first and tonight they set out to prove it.
Walking unassumingly on stage, DFA launch into a noisy, fast paced set under subdued lighting with ‘Turn It Out’ and ‘Right On, Frankenstein’ hitting us in the face like a particularly angry Mike Tyson.
The band don’t pause for breath until necessity dictates when drummer/vocalist Sebastien Grainger makes running repairs to a kick pedal three songs in and already sweat and beer are dripping from the roof. Not ones for huge amounts of crowd banter (although when they do engage with the audience there are some golden moments such as suggesting a world record 69 attempt) it’s not long before the duo are back up to full tilt and hammering out modern day classics like ‘Trainwreck 1979’ and ‘Crystal Ball’. Closing with the storming couplet of ‘Romantic Rights’ and ‘The Physical World’, Death From Above 1979 leave the crowd baying for more.
With only two albums worth of material to work from it’s not too surprising when the lights go up only 70 minutes after the opening chords, but what we’ve seen tonight is enough to prove DFA should never have gone away in the first place. An invigorating experience.