This may be controversial to some, but personally, I can’t really blame artists for exploiting their more popular back catalogue in the live arena; after all, if it’s not something the fans want to see, they wouldn’t pay for it. So as yet another anniversary tour rolls into Manchester, I’m intrigued and hopeful of witnessing something fun and just a little bit special.
This time around it’s the turn of Glenn Danzig, bringing his namesake band out on the road to celebrate 25 years of darkness, and combining it with a mini-set of Misfits songs with guitarist Doyle.
I must admit that after recent gig-going exploits I was wary of another 90s nostalgia fest, but upon reaching the Academy it’s pretty clear that organisationally at least things are already looking better than the Megadeth debacle.
Even more promisingly, Danzig has chosen to get Sheffield’s finest rock and rollers, Black Spiders to open for him. Prepping for the release of second record ‘This Savage Land’ via a Pledge Music campaign, the ‘Spiders grasp the opportunity to play to such a big crowd firmly and shake it around until its ears are pricked up like a horny hyena.
‘Kiss Tried To Kill Me’ sounds as monumental as ever and ‘Stay Down’ with its magnificent ‘Fuck You Black Spiders’ interlude is both brilliantly funny and raucous. New track ‘Creatures’ is already shaping up to be a live pleasure, whilst ‘Just Like A Woman’ sticks around in your head just as much as it did on that very first listen. Maybe this isn’t quite your typical Black Spiders crowd but they’re intelligent enough to know a good thing when they hear it, showing a decent amount of appreciation for the gurning sluggers.
As the length of time between support and headliner approaches the 45 minute mark, thoughts of Dave Mustaine’s diva-like behaviour creep into the mind, but the wait is soon forgotten when the room blackens and the Academy goes crazy to ‘SkinCarver’.
Chugging through classic Danzig fare such as ‘Hammer of the Gods’ and ‘Devil’s Plaything’, the now 57-year-old frontman is showing no sign of slowing down, prowling the stage with horns aloft and basking in the adulation he receives.
The fans are always going to lap this stuff up, but the fact that the band are such talented individuals really helps matters. Prong‘s Tommy Victor effortlessly shreds through the set, whilst Type O Negative‘s Johnny Kelly is always a percussive beast. As ‘Dirty Black Summer’ and ‘How The Gods Kill’ round off part one of the set, Danzig prove that they can still hang with anyone on the live circuit, even those half their age.
I was never really a huge Misfits fan, simply because their heyday was a little before my time, but I grew up listening to bands influenced by them and it’s only now I really appreciate why. As Glenn introduces his ‘man monster’, Doyle stomps onto the stage, ripped and ready for action. Hammering out power chords with his taped up fingers, a furious ‘Death Comes Ripping’ kicks things off, followed by ‘Vampira’ and the glorious slice of punk that is ‘I Turned Into A Martian’.
Without relenting, ‘Astro Zombies’ keeps things going at warp speed, followed by the classic pairing of ‘Skulls’ and ‘ Last Caress’ leaving few in the Academy without a smile on their sweaty faces.
The first encore pairs ‘Soul On Fire’ with defining Danzig breakthrough hit ‘Mother’ which invokes an absolutely glorious sing-along, and despite a slight strop from Glenn at one of the many concert filmers, he finishes things off brilliantly with ‘She Rides’ and an inimitable ‘Die, Die My Darling’ which belies its 29-year age.
On this joyously triumphant night, Evil Elvis reminds everyone just how many great songs he’s written over the years and simultaneously shows some of his old school contemporaries just how to put on a show. Absolutely stunning.